Tag Archives: Kodak Tri-X

2016 Laundromat Project

In late 2015 I decided to do a small personal photographic project for the upcoming year. One subject, one camera, one roll of film. I selected the Pentax Spotmatic and a roll of Kodak Tri-X 400.

Pentax Spotmatic (1964 - 1973)

The subject was to photograph different laundromats in Northern Utah. The locations I selected were: Terrace Laundry in Washington Terrace, Wash Tub in North Ogden, 4th Street Laundromat in Salt Lake City and Hart’s in Roy. The purpose of a personal photographic project is to take you out of your element, try something different, and challenge yourself.

You get a lot of strange looks, questions and questionable looks when you show up at a laundromat with an old camera, not laundry. So, how was this experience? I follow photographers on Twitter that make entire books or zines out of this type of photography. To me, it just felt lazy. I discovered that this type of photography is not my style. If I were to do it again, I would photograph the people in the laundromat, not machines and signs. I learned something about myself, and used this roll to practice developing film at home. Process: D-76 (Stock) 6:45 Min @ 20° C, scanned with an Epson Perfection V600 Photo.

[2016_01_31] Terrace Laundry - Washington Terrace, Utah

[2016_01_31] Terrace Laundry – Washington Terrace, Utah

[2016_01_31] Terrace Laundry - Washington Terrace, Utah

[2016_01_31] Terrace Laundry – Washington Terrace, Utah

[2016_01_31] Terrace Laundry - Washington Terrace, Utah

[2016_01_31] Terrace Laundry – Washington Terrace, Utah

The idea was to photographic inside various laundromat's in Northern Utah.

[2016_01_31] Terrace Laundry – Washington Terrace, Utah

[2016_03_25] Wash Tub - North Ogden, Utah

[2016_03_25] Wash Tub – North Ogden, Utah

[2016_03_25] Wash Tub - North Ogden, Utah

[2016_03_25] Wash Tub – North Ogden, Utah

[2016_03_25] Wash Tub - North Ogden, Utah

[2016_03_25] Wash Tub – North Ogden, Utah

[2016_03_25] Wash Tub - North Ogden, Utah

[2016_03_25] Wash Tub – North Ogden, Utah

[2016_04_29] 4th Street Laundromat - Salt Lake City, Utah

[2016_04_29] 4th Street Laundromat – Salt Lake City, Utah

[2016_04_29] 4th Street Laundromat - Salt Lake City, Utah

[2016_04_29] 4th Street Laundromat – Salt Lake City, Utah

[2016_04_29] 4th Street Laundromat - Salt Lake City, Utah

[2016_04_29] 4th Street Laundromat – Salt Lake City, Utah

[2016_04_29] 4th Street Laundromat - Salt Lake City, Utah

[2016_04_29] 4th Street Laundromat – Salt Lake City, Utah

[2016_07_10] Hart's - Roy, Utah

[2016_07_10] Hart’s – Roy, Utah

[2016_07_10] Hart's - Roy, Utah

[2016_07_10] Hart’s – Roy, Utah

[2016_07_10] Hart's - Roy, Utah

[2016_07_10] Hart’s – Roy, Utah

[2016_07_10] Hart's - Roy, Utah

[2016_07_10] Hart’s – Roy, Utah

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Miranda G – Part 1

The Orion Camera Company in Japan, later renamed for marketing reasons to the Miranda Camera Company, primarily made SLR cameras between 1955 and 1978. Two unique items that made Miranda different from their competitors were: 1) almost every camera had an interchangeable pentaprism that could easily be changed by the photographer, 2) they never made their own lenses, relying on other manufacturers to produce them. Miranda was the first Japanese company to manufacture an SLR with a removable eye level prism, something that Nikon adapted in 1959 (Nikon F). According to the Miranda Historical Society online, it’s not uncommon to find a seller who has any of knowledge about Miranda cameras or lenses.

The Miranda G was manufactured and sold in 1965. It features an interchangeable pentaprism and focus screen. The interchangeable focus screen were made in 8 types and attracted photographers who were interested in photomicrography (photos taken through a microscope) to astronomical photography (photos taken with a telescope). The camera has shutter speeds of 1 through 1/1000 sec, and bulb mode. The standard lens that this model came with was a Soligor 50mm f/1.9. The Miranda G does not have an internal light meter.

Special thanks to Maurice Greeson for donating this camera. He not only gave me the camera and Soligor 50mm lens, but included: Soligor 28mm f/2.8 lens, Soligor 105mm f/2.8 macro lens, Soligor 80-200 f/2.8 telephoto lens, macro lens reversal ring, chest-level viewfinder, original leather case, and manual. All of these items are in mint condition! I was worried at first because the camera doesn’t have a light meter, but that also eliminates the issue of having the correct battery type. I used my Gossen Luna-Pro to meter about half of the environments I was shooting in. The best way for me to describe using this camera can be done in one word: enjoyable. This camera feels so comfortable in my hands. It has a nice balance with the 50mm lens. I did try the wide 28mm on a few images I’ll share next week, but kept going back to the 50. Maybe it’s more my style, but I found it easier to compose my images. For the roughly short lifespan of the Miranda G, it’s a basic SLR and fun camera to use. Note, the self-timer is permanently stuck in the down position, but an issue this small wouldn’t stop me from using this camera. I really don’t have anything negative say about this camera. The viewfinder, and chest-level viewfinder, are bright and clear. The additional shutter release on the front of the camera seemed odd at first, but somehow the slow squeeze on the front makes more sense than a downward pressing motion.

Ogden High School - Ogden, Utah

In July, my wife and I took a group of Chinese exchange students on a tour of Ogden High School in Ogden, Utah. The school was built in 1937 as part of President Roosevelt’s “New Deal,” a Works Progress Administration project that cost tax payers 1.2 million dollars. It was the first million-dollar school built in the U.S. The design style of the school is Art Deco and matches other Ogden City landmarks like the Ogden City Municipal Building and Peery’s Egyptian Theater. All three historic buildings were designed by the architectural firm Hodgson & McClenahan. In 2006, Ogden City residents voted to fund a $95.3-million-dollar bond to repair, renovate, and update the school. The high school has been the backdrop for several movies and television shows. These images were shot with the Miranda G on Kodak Tri-X 400, metered with a Goseen Luna-Pro S.


Mamiya m645 Super

My real interest in medium format began during my visit to San Clemente, California, in March for the Film Photography Project Walking Workshop 2015. On the second day of the workshop, Mat Marrash covered medium and large format film and cameras. Up to this point, my experience with medium format, 120 film, was with my Holga, Debonair, and Yashica-A. After seeing some of the medium format cameras at the workshop, I added a few to my wish list, like the Pentax 645, Mamiya 645, and of course a Hasselblad. My heart wanted the Pentax, my eyes wanted the Hasselblad, but my wallet led me to the Mamiya.

Mamiya m645 Super
The Mamiya m645 Super is a medium format SLR camera made in 1985 by Mamiya in Tokyo, Japan. It features a Mamiya-Sekor 80mm f/2.8 lens, and shutter speeds are bulb, 4 through 1/1000 second. Like other medium format cameras, it’s a modular system, meaning you can add different components like a waist-level viewfinder, prism viewfinder, manual winding crank, powered winding grip, 120, 220, or Polaroid film back. One of the great features about using a medium format camera like the Mamiya is the ability to change the film back at any time using a metal dark slide to block the light from exposing the film.

These are some photos I captured on Kodak Tri-X 400 Black & White 120 Film, developed at home with New55 R3 Monobath, and scanned the negatives with an Epson Perfection V600 Photo scanner. The photos were taken at the Ogden Union Station Restoration Shop in Ogden, Utah. For more information about the shop and the restoration of the Denver & Rio Grande Western Railway locomotive No. 223, read my guest post at IndieOgden.com.

I really enjoy shooting with the m645 Super. The camera and grip feel good, solid in my hands. What don’t I like about it? The shutter on this camera is loud. The mirror slap and powered film advance make a sound loud enough to set off car alarms and register on a seismograph at Utah State. Yes, I’m exaggerating, a little, but this camera is loud. And while the lens is sharp, stopping down makes it very dark in the viewfinder. On a roll of color film where I was shooting outdoors (100 ISO), I found the best solution was to focus, stop down (f/16 or f/22), check the meter, set the shutter speed, and then take the shot. Even outdoors in bright sunlight, f/22 is very dark through the viewfinder. Most of my images at the restoration shop were done at f/2.8. The 80mm lens is a great choice for portraits, which was my intent for this purchase.

There’s something very satisfying about shooting medium format film in an SLR. To me, I like knowing that my image is going to yield a large negative. I actually surprised myself, being new to souping my own film at home, the larger negative was easier for me to position and feed on to a Paterson spool than 35mm film. I’ll be sharing some additional photos from this camera in the near future.