Tag Archives: Minolta 7s

April 15, 2015

Film Photography Project Walking Workshop – Part 3

On the first day of the FPP Walking Workshop, each person received a ticket to be part of a camera giveaway. Everyone had a chance to browse through several tables of cameras, select one, and enter to win that specific camera. I’ve been fascinated with old rangefinder cameras lately, so I put my ticket in the cup next to a Minolta Hi-Matic 7s. Because there were so many cameras, I was the only person that entered to win this 7s, and by default, I won! Along with the camera came a printed instruction manual, a contact sheet displaying the test images from the camera, and a letter entitled, “To the new owner,” along with details and specific information about the camera. Again, thank you FPP listener and contributor Johnny Brain in Iowa for this outstanding camera!

The Minolta Hi-Matic 7s rangefinder was manufactured in 1966. The 7s is one model in the popular line of Hi-Matic’s made from 1962 to 1984. Some other notable 35mm rangefinder cameras made during this time are the Canon Canonet and the Yashica Electro 35 series. The 7s has a very sharp, and wide, 45mm f/1.8 Rokkor lens. The aperture on the leaf shutter lens goes from f/1.8 all the way to f/22! Shutter speeds range from bulb, 4/sec up to 500/sec, ISO 25 to 800, and includes an automatic mode for both shutter and aperture settings. The 7s has a Contrast Light Compensation (CLC) metering system. This was an original feature Minolta borrowed from their SR-T SLR line of cameras and used for the Hi-Matic’s. The meter sensor is positioned at the top of the lens and the visible needle can be seen through the bright, clear, viewfinder. The meter is battery-powered and originally required a mercury battery. This 7s has an updated battery and uses an adapter with a diode to step-down the power for correct metering.

On the second day of the workshop, I sat outside in the warm morning sun and read through the 7s manual. Like a kid with a new toy, I really wanted to use this camera. I put some Kodak Ektar 100 in the 7s and used it to capture various moments throughout the second day. Aside from some poor compositions and getting used to the rangefinder, I’m really impressed with this camera. While walking around the workshop, several people commented on what a great camera it is. Yes, I’ve made a few easy mistakes with this camera. For example, because it’s a rangefinder, I’ve forgotten to remove the lens cap on two occasions. And as Leslie Lazenby points out on Episode #122 of the Film Photography Podcast, this camera also has the longest throw for advancing the film, 220 degrees! Because of this, I cranked the film right off the end of the roll! I won’t misjudge the film advance on this camera, or any other, ever again. I’m really impressed with this camera. I enjoy this camera so much that it was one of the five I selected to take to the Oregon coast a few weeks ago. If you’re looking for a solid rangefinder with sharp glass, make sure to check out the Hi-Matic’s. If you’re buying used, I recommend examining the leaf shutter for missing or broken aperture blades/leafs. If you’re concerned about using the meter, check into an updated battery or simply use the Sunny 16 Rule.

Mark Dalzell from the Film Photography Project

Marcelo Yanez

Film Love

Marcelo Yanez’s Gear

Jessica Reinhardt & James Eakins

Film Photographers shooting the Large Format Film Photographers

First shot with the Minolta Hi-Matic 7s – Flowers at the hotel

Large Format Film Photographers

Jeff interviewing Jessica about the Petzval lens

Looking through the large format viewfinder

Mark Dalzell, Mat Marrash and Michael Raso

Michael Raso and the Polaroid roundtable discussion

Large Format Film Photographers

Looking through the large format viewfinder

Michael Raso from the Film Photography Project

Michael interviews Jessica

Polaroid 600SE

Jessica Reinhardt answering questions about Impossible Project film

Mat Marrash from the Film Photography Project

Joe & Kelsey from The Dark Room

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Film Photography Project Walking Workshop – Part 1

By Shaun Nelson

Two weeks ago, Scott Smith and I flew from Utah to San Diego, California, and drove up to San Clemente for the Film Photography Project Walking Workshop at the headquarters of TheDarkroom.com. We arrived a day early because we knew we wanted to take our time getting to our hotel in Dana Point, and find some good photo ops along the way. We spent some time walking around San Clemente, stopping at various small shops including Arcade Camera. At six o’clock we went down to the pier for some photos at sunset. I took five film cameras with me, one of them was the Minolta SR-T202 that I had purchased earlier in the month. This was my first opportunity to use this camera, so I loaded it with some Kodak Ektar 100 film and casually walked along the beach. One of the shots I wanted to get was the lifeguard stand with the pier at sunset. This is the first time I’ve done any real landscape photography in several years.

Minolta SR-T202 – Kodak Ektar 100

The next morning at the workshop, we were greeted with a big smile and handshake from Michael Raso and Mat Marrash from the Film Photography Podcast. One of the first people in the group I recognized was Brian Moore, a knowledgeable photographer from Huntington Beach. Another was Mark Dalzell also from the Film Photography Podcast and Smoove Sailors. Mark gave me some advice last year on cleaning my Argus C3. We talked about what a great indestructible workhorse the C3 is.

The entire staff at The Dark Room deserve a big thank you. From myself and my fellow FPP friends, thank you! Keith, Phil, and Joe, the tour was fascinating. You opened your business doors to a bunch of strangers and customers (and some strange customers), answered countless questions and made sure everyone was having a good time. Again, thank you so much.

As the afternoon progressed, Michael and Mark spoke about unique, unusual, and hand-rolled films. One of the more entertaining presentations was Michael’s commentary about Svema film from Russia. They don’t respond to email, but will accept a purchase order, accept money, and ship film to the FPP in New Jersey. I believe the repeated remark from Michael was, “Hey! You don’t know what’s going on in Russia!” After completing the roll of Kodak Ektar in the Minolta SR-T202, I loaded it with Svema Color Negative 125. Photographers that have purchased it from the FPP Store have nothing but positive things to say, so I’m very optimistic. After the discussion on film, Michael gave away some unique film from the FPP Store, including some color infrared, 620 film and the new FPP 620 film spools.

Each FPP workshop attendee received a ticket to be part of a camera giveaway. Everyone had a chance to browse through several tables of cameras, select one, and enter the raffle to win that camera. I won a beautiful Minolta 7s rangefinder. Along with the camera came a printed instruction manual, a contact sheet displaying the test images from the camera, and a letter entitled, “To the new owner,” along with details and specific information about the camera. The Minolta 7s has a battery-powered exposure meter that originally required a mercury battery. The letter explains how the updated battery uses an adapter with a diode to step-down the power for the meter. Thank you FPP listener and contributor Johnny Brain in Iowa for this outstanding camera!

In the late afternoon, everyone boarded the FPP Big Yellow ~~School~~ Bus and went to the San Clemente Pier for a photowalk. The weather was beautiful. I took my time walking along the pier, occasionally stopping to ask random people if I could take a photo of them. When I have a camera in my hands, I have no hesitation talking to people. This is something about me that makes my friends and family uncomfortable. I know it embarrasses my kids when I stop and photograph this way. Whether its candid street photography or street portraits, a smile and a positive comment can usually produce an interesting image. The day ended with a bus ride back to The Dark Room where we spent more time talking with other photographers while sharing our newly won cameras.