Tag Archives: Canon Camera

Kosmo Foto Mono 100

One final roll from the the Canon 10S. This time using one of my favorite black and white film film stocks, Kosmo Foto Mono 100.

Camera: Canon EOS 10S (1990)
Lens: Canon 24-105mm f/4 IS USM L-Series
Film: Kosmo Foto Mono 100
Process: Kodak D76 (1+1) 10:00 Min @ 20°

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Kodak Plus-X Pan 125 (Expired 3/1981)

Here are some additional photos taken with the Canon 10S. This time I experimented with some Kodak Plus-X Pan 125 that had expired in March of 1981.

Camera: Canon EOS 10S (1990)
Lens: Canon 24-105mm f/4 IS USM L-Series
Film: Kodak Plus-X Pan 125 (Expired 3/1981)
Process: Kodak D76 (1+1) 8:30 Min @ 20°

 


Canon Barcode Reader E

This is the first time I’ve written about a camera oddity. After I discovered the Canon Barcode Reader E, it was too fun to pass up. After I purchased the Canon 10S, I noticed the barcode option on the camera, but not much information was given in the manual. What might be a laughable concept to a 1990 professional photographer is really a unique way to program a camera for a beginner.

Canon Barcode Reader E

Canon Barcode Reader E Original Packaging with EOS Barcodes 101 Book

In 1990, Canon released the Canon Barcode Reader E, an accessory intended for both the Canon 10S and EOS ELAN/100 SLR camera series. Labeled as part of the Program Image Control was a new barcode setting on the camera Command Dial. This allowed users to use a small handheld barcode reader to scan a 14-digit barcode from a booklet that represented some of the more difficult photographic situations. For example, you’re taking a portrait of someone in a backlit environment. Simple, scan the barcode that represents this situation and program the camera.

The Canon Barcode Reader E itself measures about 90mm long and weighs under 30 grams with two CR2025 lithium batteries installed. At the end of the reader is a small LED and photocell to scan the barcode. The scanning is activated by pressing once on the button located on the side of the scanner. Using the scanner like a pen, you simply slide it over the desired barcode that’s labeled with the photo situation. The scanner emits a small beep when it’s successfully scanned the barcode.

To transmit the programming to the camera, the Command Dial of the camera must be turned to the barcode program position. This enables the cameras infrared connection point. Opposite the scanning end of the barcode reader is an infrared transmitter. You simply press the transmitter of the barcode scanner up against the connection point of the camera. The transmitter presses inward like a button, against the cameras infrared receiver. The best way to think of this process is like using a remote for a television. Only the remote is extremely low powered and must be placed flat against the televisions infrared receiver. When the information has been transmitted from the barcode reader to the camera, it beeps with a confirmation. Looking at the LCD of the camera, you can immediately see the programming changes made.

Canon originally gave users a small booklet called EOS Photo Files with the barcode reader that contained 24 different programs. In 1991, Canon released an additional book called EOS Barcodes 101 that contained 101 different barcode programs. I’ve been unable to find the latter on eBay, but I did find an archive of a 2009 Geocities website from an unknown programmer that created a Java program for creating Canon EOS barcodes. The code is simple and runs in a web browser.

You can create your own barcodes, give them a program number, name, and specify the camera programming options you want. They are then kept within the browser cache, so you can go back and pull them up (if you don’t clear your cache), but it’s recommended that you print the barcodes after you’ve made them. Not only can you create your own, but you can print all the original barcodes that Canon released in the EOS Barcodes 101 book, but unfortunately, they aren’t labeled. If you want to experiment, you can download the original Java program page here. Unzip and run the index.html file.

So why would anyone want to mess with this? Why not. It’s an interesting look in to Canon’s past where they were trying to make shooting in difficult environments easy for beginning photographers. It’s a unique accessory. From what I’ve read online, Minolta attempted to do the same. I’ve not been able to find any information on a barcode scanner for Konica or Minolta cameras. If you have some knowledge about this, please leave a comment. Or if you have an original copy of the EOS Barcodes 101, please let me know.

Camera: Canon EOS 10S (1990)
Lens: Canon 24-105mm f/4 IS USM L-Series
Film: Kodak TMax 100
Process: Kodak D76 (1+1) 10:00 Min @ 20°
Scanner: Epson V600 Photo

 


Canon EOS 10S (1990)

Last May, Scott Smith was at the Utah Film Photography Worldwide Headquarters (my house) to develop some 4×5 sheets he’d shot with his newly acquired Graflex. We used a tank that would hold ten sheets and required over a half gallon of chemistry. I’m not doing that again. I’ll stick with 4 sheets in the Stearman Press SP445. Anyway, I digress. Scott showed me a Canon EOS 10S that he had purchased earlier that day. Both Scott and I have owned Canon digital gear over that past decade. He has sold most of his Canon gear but kept a Canon 24-105mm f/4 IS USM L-Series lens. Because the EF lens mounts were the same, he paired this lens with the 10S. While Scott developed film, I played with the camera. Autofocus and image stabilization worked as quickly as it would on my Canon 6D and I was impressed. The next day, I went hunting on eBay and bought a mint Canon 10S for $10, including shipping. In the last six months, the 10S has become one of my favorite cameras, and the closest I want my film and digital worlds to get to another.

Canon EOS 10s

Introduced in March 1990 by Canon, the 10S (10QD in Japan, 10 in Europe) is an autofocus 35mm SLR camera. The camera features a Multi-BASIS AF sensor. This sensor gives the photographer three autofocus viewpoints. Many of the design elements and features of the 10S still remain on Canon’s DSLR cameras. For example, the command dial is nearly the same: automatic and creative modes, P Program, TV Shutter Priority, AV Aperture Priority, M Manual. The LCD on the top displays your selection of focus modes like one shot, AI Servo, AI Focus. Shutter speeds are 30 sec to 1/4000th sec, bulb and flash sync up to 1/125th sec. Film speeds can range from ISO 6 to 6400. With the meter and exposure controls, the camera has 15 custom functions from autobracketing to multiple exposure. The automatic advance allows you to shoot 5 fps in One-Shot Autofocus and Manual modes, or 3 fps in AI Servo mode.

One thing I personally like is the camera design. Because I’ve owned 4 different Canon DSLR bodies over that last 11 years, the layout of the buttons and features are all familiar to me. When I want to change the f-stop, I quickly know where to place my finger. While three autofocus points don’t sound like a lot, the simplicity works. It makes the 61 selectable focal points on a Canon 5DMIV DSLR extreme overkill. I enjoy using Canon L-series lenses like the 24-105 f/4 and 70-200 f2.8. One thing I’ve learned over the last 4 years is I don’t like heavy SLR cameras. The 10S only weighs 625 g (1.4 lbs), but when you use a lens like the 70-200 f/2.8, you add another 1490 g (3.28 lbs). The 10S uses a single 6V 2CR5 lithium battery. Even though it’s a common battery, I paid more for the battery than the camera.

I’ve shot 4 rolls with this camera and will be posting the results over the next few weeks. Plus, next week I want to cover the most interesting part of the 10S, the Canon SLR Barcode Reader. Yes, think grocery-store-beeping-barcode reader.

Camera: Canon EOS 10S (1990)
Lens: Canon 24-105mm f/4 IS USM L-Series
Film: Kosmo Foto Mono 100
Process: Kodak D76 (1+1) 10:00 Min @ 20°
Scanner: Epson V600 Photo

 


Canon New Sure Shot

The third version of Canon’s Sure Shot made in in 1983 ($150 USD) was sold as the New Sure Shot in the United States, AF35MII in Europe, and the Autoboy 2 in Japan. The New Sure Shot is a simple point and shoot 35mm camera featuring a 38mm f/2.8 – 16 lens. The camera focuses (near, medium, far) with a triangulation system using a near-infrared beam for autofocusing. Pressing the shutter button down halfway accomplishes prefocus. Powered by two AA batteries, the film advance is automatic and the exposure is controlled electronically. To test the camera, I used some expired Kodak Gold 200. The film really achieves that expired look in the blue tones.Canon New Sure Shot (AF35M II) (1983)


Expired, Retired, Still Fired

A few months ago my friend Maurice gave me a Watson Model 100 Bulk Film Loader. The bulk loader still had 35mm film in it! Kodak Plus-X Pan (ASA 125) that expired in 1979. Not knowing how to load my own cartridges and shoot expired film, I turned to the interwebs for some guidance.

Watson Model 100 35mm Bulk Film Loader - Kodak Plus-X Pan (Expired 1979)

Learning to bulk load is a simple and straight forward process: use some art tape to attach the film to the 35mm spool, placing the spool inside the cartridge, close the bulk loader, open the film gate, then slowly crank and decide the number of exposures on the roll. Is the expired film still good? To test the film, I loaded a cartridges with 12 exposures into my Canon Canonet G-III QL17. My conclusion, the film is good! There’s no haze or fogging, but the film definitely needs light. The best images from my test exposures surprisingly came from shooting at box speed, ISO 125.

Would you like a roll to test for yourself? Leave a comment on this post and tell me what camera you’ll use. I’ll pick a random comment on December 1, 2015, and send you a roll.

The images below are some of my favorites from a trip to Wyoming with Scott Smith in September. Along with some others from Utah and a family trip to Wyoming, Montana and Idaho in October.

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Canon Canonet G-III QL17

Back in March when I won a Minolta Hi-Matic 7S at the Film Photography Project Walking Workshop, I had been looking to get a 35mm rangefinder camera. Shortly after that, my friend Mike Williams sent me a Yashica Electro 35 GS, another great rangefinder. And now, the Canon Canonet G-III QL17 rangefinder. I actually found the Canonet at a local thrift store for $35 USD. In the past seven months, I’ve had the chance to own and test three of the best consumer rangefinders. This version of the Canonet is the top-end of the series that was manufactured during the 1960’s and 1970’s. My friend Maurice, being a Canon reseller tells me this story from his camera store experience. The President of Canon at the time went to his engineers and asked them to make him a camera. His first requirement, it had to be the smallest rangefinder they could produce, 120 x 75 x 60 mm, 620 g. The second, it had to have the best glass lens that Canon had to offer at the time, 40mm f/1.7 (6 elements in 4 groups). The result was the G-III QL17, selling more than 1.2 million units from 1972 to 1982.

The Canon Canonet G-III QL17 was manufactured from 1972 to 1982, features a 40mm f/1.7 lens, Copal leaf shutter, speeds from 1/4 to 1/500, and flash sync at all speeds. The G-III fit into a new group of high-end rangefinder cameras with lenses faster than f/2. The “QL” part of this model was Canon’s new Quick Loading film feature, making the process of threading 35mm film on to the take-up spool easy and very advanced for the time. The camera has a CdS cell meter that is mounted above the lens and provides shutter-priority, and unmetered manual mode. The location of the CdS cell above the front lens element allows it to take lens filters into account when metering. The exposure indicator needle can be seen in the viewfinder, indicating over/under exposure.

Out of the three 35mm rangefinders I currently own, the Canonet is my favorite. It has the sharpest lens, has the smallest footprint, and has more features that I want compared to the Minolta Hi-Matic 7S and Yashica Electro 35 GS. They’re all great cameras. At one point this past summer, I had all three in my walk around camera bag at the same time. My biggest complaint about all three cameras is they have what I would call a mushy shutter. There’s no solid click. I’ve found when I compose a shot, focus, check exposure, and press the shutter down, down, down some more, down, down, and then there’s a soft click. The images below were shot on Ilford Pan F Plus 50 B&W Film, processed by RepliColor in Salt Lake City, and scanned on an Epson Perfection V600 Photo Scanner.

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Canon Photura

After I graduated from high school 1989, I went to work at my local Best Products store in Riverdale, Utah. If you don’t remember Best, it was also known by its former name, LaBelle’s. It was a catalog showroom where customers would walk the isles of the store or browse a catalog, find the product they wanted to purchase, write down the product on an order form and bring it to the order desk. If the item was in stock, it would gently roll out on a conveyer belt. Best was known for jewelry, electronics, sporting goods, housewares and toys. I was part of a group that made sure the products were on display in the store. During the five years I worked there, I decorated countless Christmas trees, unpackaged hundreds of TVs, and managed to meet my wife.

In the electronics area of the store were several large glass cases that displayed cameras. Best sold everything from Canon, Nikon, and Pentax. Some entry-level SLRs and numerous point-and-shoot cameras. One of the cameras I loved to play with was the Canon Photura. It looked like a small video camera and had a strange lens cover that also became the flash. Having no money and no interest in photography, I was content to pull it out of the case on occasion to play with it. One day last year my wife and I were reminiscing about dating, working at the same place and all the odd people we encountered. I suddenly remembered the Photura and went to eBay to purchase one.

Made in 1990 by Canon in Japan, some say that the Photura is one of the last truly innovative camera designs that Canon made. It’s an odd cylinder shape, and when the lens cover is opened on its hinge, it becomes a fresnel lens and flash. The Photura is the easiest camera to load by simply dropping in the 35mm canister in a vertical position and closing the camera back. It features a 3-point Smart Focus lens with a near-infrared beam to assist. Shutter speeds are 2 seconds to 1/250th, and shoots ISO 25-3200. The camera has a 35 – 105mm f/2.8 – 6.6 powered zoom lens.

To test my Canon Photura, I used Lomography Color 400 Film. While there is some grain, I like the color. These photos look identical to the photos from my Pentax IQ Zoom that my wife (then girlfriend) gave to me for Christmas in 1990. The flash and its plastic fresnel lens emit a lot of light. More light than any point-and-shoot camera I’ve ever used, digital included.