Back in August, my wife and I took our two teenage sons to New York for eight days. I knew this was going to be a great trip to get some photos, so I took 3 cameras; one digital, and two film. The digital was a Canon 6D with 24-105mm f/4 lens. The two film cameras were my Leica M3 with 7Artisans f/1.1 lens, and a borrowed Olympus XA. I always tell myself I want to travel light and end up taking too much gear. The camera that received the most use on this trip was the Olympus XA. Why the Olympus XA? I needed something that was wider than 50mm, and small enough to fit in my pocket.
The Olympus XA is a compact camera that was sold from 1979 to 1985 and has some not-so-compact features. It’s a rangefinder focus camera, aperture priority, with a 35mm Zuiko f/2.8 lens, and shutter speeds from 1 – 1/500th sec. The design of the XA is simple, you slide open the camera, uncovering the lens and activating the CdS exposure meter. The rangefinder focus is located below the lens, and the aperture is controlled by a vertical sliding switch on the front right-side of the camera.
Compact 35mm cameras are commanding higher prices on eBay, and the XA is no exception. The unique compact design and sharp lens are two features that set this compact apart. The electronic A11 flash can be detached from the camera, making the camera a nice 7.9 ounces. And how did they get such a sharp f/2.8 lens in such a small design? According to Modern Photography Magazine in 1979, “high-refractive-index glasses had to be used to control aberrations across the picture field, and optical elements had to be manufactured and aligned to very close tolerances.” Olympus was able to accomplish this with, “the XA’s “reversed retrofocus” [is] a 6-element, 5-group optic measuring about 31mm from front element to film plane. Focusing is internal, via moving third group. Achieving this extremely flat design necessitated high index crown rear element, special flint second element. Result is a super-compact, rigid camera body with rangefinder focusing.” Voodoo magic and pixie dust? No, just some super engineering and meticulous optics.
The size doesn’t predict the quality of images this camera can deliver. As you can see by the gallery below, the Olympus XA was used a lot on my trip. Unfortunately, the photos taken from the top of the Empire State Building and Rockefeller Center were subject to a few days of poor air quality in Manhattan. The only complaint I have about the XA is the sensitive shutter. The feather-touch shutter doesn’t take much pressure to fire, and it can take some getting used to. This is hard to explain, but this is the first film camera I’ve used where I knew immediately whether I got the shot I wanted. The images in the gallery were shot on both Kodak TMax 100 and Kodak Tri-X 400.
Camera: Olympus XA (1979)
Film: Kodak TMax 100 / Kodak Tri-X 400
Process: RepliColor SLC
Scanned: Epson V600 Photo
7 thoughts on “Olympus XA (1979)”
Terrific work with your XA. The XA2 is pretty darn sweet too.
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the XA is one of the few cameras whose imagfes I would put up against a Leica. Really excellent shooters.
how did you scan those negs? My XA is razor sharp, those scans strike me as a titch fuzzy. Normally I’d compare my XA negative with stuff shot with one of my Leica’s and challenge you to tell the difference.
Scanned on my Epson V600. You know what they say, “100% of the cameras are better than 99% of photographers.” 😉