Since diving into film photography in 2013, pinhole photography has captivated me. The idea of producing an image with such a simple setup—a light-tight box, a pinhole instead of a lens, and film—is truly fascinating. I’ve learned that pinhole photography is not just about the final image but also about the process of creating something with minimal equipment. It’s also a great way to explore the basics of image-making and appreciate the art of photography in its simplest form.
Over the past 11 years I’ve acquired several pinhole cameras and pinhole lens caps: the Ondu Pocket Pinhole, the Viddy pinhole camera, and the Holga 120 WPC. While I initially explored 35mm pinhole cameras and then worked with 120 medium format film using the Holga, I’ve discovered that I prefer pinhole images produced on larger film formats. This led me to the logical next step: 4×5 film.
RealitySoSubtle pinhole cameras are made and designed in France by James Guerin using CNC machining and traditional woodworking processes. The results are pinhole cameras that are consistent and precise. I purchased the RealitySoSubtle 4×5 Z Full Kit for the multi focal lengths. The camera can be configured with four different focal distances: 35mm, 50mm, 75mm, and 90mm, by using interchangeable shutter boards and extension pieces made from marine-grade plywood. These extension pieces adjust the distance between the shutter board and the film plane, enhancing flexibility in composition and creativity. Each component is secured with strong magnets, and just like large format 4×5 cameras, the shutter boards feature ‘rise’ and ‘fall’ pinholes, which can be adjusted by mounting the board upside-down.
For several years, I’ve relied on the Pinhole Assist app on my iPhone. I was pleased to find that the RealitySoSubtle 4×5 Z is already included in the app, which simplifies the process even further. By selecting the appropriate focal distance and metering with my phone, I can easily lock in the exposure and start the timer when I’m ready to capture the image.
In summary, I thoroughly enjoy using the RealitySoSubtle 4×5 Z pinhole camera. It meets all my expectations for a large format pinhole camera and, at $235 USD plus shipping, it’s a worthwhile investment without being prohibitively expensive. Right now, it’s the newest manufactured camera in my collection. James’ new pinhole cameras like the RealitySoSubtle 6×12 and 6×17 panoramic pinhole cameras also look like a lot of fun to use!
Camera: RealitySoSubtle 4×5 Z (2024)
Film: Ilford HP5+ 400
Process: Kodak HC-110 (1+31) 5 Min @ 20°C
Scanned: Epson V700 Photo
Camera: RealitySoSubtle 4 X 5 Z (2024)
Paper: Ilford Direct Positive Black and White Paper
Process: Ilford Multigrade ~1:30 Min @ 20°C
Scanned: Epson V700 Photo
Utah Film Photography 