Tag Archives: Expired Film

Olympus OM-1 MD (1974 – 1979)

Up until last fall I didn’t own a single Olympus camera. Not by choice. They just never seemed to come up on my camera radar as a need to have item. I found someone in the local online classifieds selling an Olympus OM-1 with 50mm lens for $100. The seller indicated she was searching for some other used gear, so I texted her with some items I was willing to trade. When we met and I inspected the OM-1, I found that the film rewind knob had been broken and a poor attempt to fix it was made. And worse, the shutter advance would move, but nothing moved inside the camera. I went ahead with the trade and took it to a local camera shop and learned that the repair was going to be more than the value of the camera. Kind of a disappointment, but with the attitude of nothing to lose, I decided to take it apart and see if there was anything obvious that I could identify as broken. I’m terrible with repairs. I barely know which end of a screwdriver I should be using. And my repairs generally involve a lot of cussing and frustration. This time I surprised myself and managed to get the film advance to work. I took the film rewind knob to my friend Maurice, who has far more patience and repair knowledge than I ever will. He had the knob back together with new parts in no time at all. After everything was working, I cleaned up the outside of the camera and replaced the light seals on the back.


The Olympus OM-1 was released in 1972 as part of the new OM system. Like the Pentax K-1000 and Canon AE-1, the OM-1 has a large following. It’s an all mechanical camera with a full aperture TTL CdS exposure meter that’s represented by a needle visible in the viewfinder. And this camera has a big, bright, beautiful viewfinder. The viewfinder on the OM-1 has made it one of my favorites. It’s a solid camera body, but also compact and lightweight (675g).

To me, the best feature on the OM-1 is where they placed the shutter speed and aperture settings, the lens! At first, this kind of threw me a curve-ball, but the more I use it, the more I like it. With the camera up to your eye, looking through the viewfinder, naturally your left hand is going to be on the lens for focus. Why not put both shutter speed and aperture settings on the lens? You see that you’re under or over exposed with the meter, so using your left hand that’s already on the lens barrel, you can quickly change your shutter speed or f-stop value. My OM-1 is currently paired with a fast 50mm f/1.6 Olympus Zukio lens.

I’m glad I added the OM-1 to the UTFP fleet of cameras. It really is a fantastic SLR. The viewfinder is better than any Nikon, Canon or Pentax camera I have that was made during the same period. The lens is sharp. Moving the aperture control and shutter speed to the barrel was a brilliant move by Olympus. I like having the switch to the meter on top of the body so I don’t forget to power it off. One thing I don’t like on the OM-1 is the film advance. It has a long swing to it, maybe more so than other SLR’s made in the 1970’s.  And if the film advance on this body had issues, it’s likely going to happen again. However, if another one came up in the local classifieds for the right price, I wouldn’t hesitate to get it as a backup or parts body.

It’s probably a good point to note, though I refer to this camera as an OM-1, it’s really an OM-1 MD. Shortly after the OM-1 was manufactured in 1973, Olympus started to quickly add accessories and lenses for the OM System. One new accessory was a Motor Drive. The updated OM-1 MD had the necessary mounting holes in the bottom of the body where the OM-1 had none, this being the only key difference.

These images were shot on Kodak Ektachrome 100 (Expired 2007). This is some of my favorite slide film and I’m looking forward to shooting some more Ektachrome in the OM-1 when Kodak re-releases it later this year!

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Expired Film Day 2017

Expired Film Day 2017

Expired Film Day 2017

Camera: Graflex Crown Graphic Pacemaker (1955)
Film: Kodak 4×5 T-Max 400 (Expired April 2002)
Process: D-76 (Stock) 6:45 Min @ 20°C
Scanner: Epson Perfection V600 Photo

Old Warehouse - Salt Lake City, Utah

Old Warehouse – Salt Lake City, Utah

Salt Lake City Public Safety Building - Salt Lake City, Utah

Salt Lake City Public Safety Building – Salt Lake City, Utah

Salt Lake City Public Safety Building - Salt Lake City, Utah

Salt Lake City Public Safety Building – Salt Lake City, Utah

Salt Lake City Public Library - Salt Lake City, Utah

Salt Lake City Public Library – Salt Lake City, Utah

Salt Lake City Public Library - Salt Lake City, Utah

Salt Lake City Public Library – Salt Lake City, Utah

Salt Lake City Public Library - Salt Lake City, Utah

Salt Lake City Public Library – Salt Lake City, Utah


Canon New Sure Shot

The third version of Canon’s Sure Shot made in in 1983 ($150 USD) was sold as the New Sure Shot in the United States, AF35MII in Europe, and the Autoboy 2 in Japan. The New Sure Shot is a simple point and shoot 35mm camera featuring a 38mm f/2.8 – 16 lens. The camera focuses (near, medium, far) with a triangulation system using a near-infrared beam for autofocusing. Pressing the shutter button down halfway accomplishes prefocus. Powered by two AA batteries, the film advance is automatic and the exposure is controlled electronically. To test the camera, I used some expired Kodak Gold 200. The film really achieves that expired look in the blue tones.Canon New Sure Shot (AF35M II) (1983)


The Official Girl Scouts of America Camera

The Official Girls Scouts of America Camera was made in Chicago by The Herbert George Company in 1956. The camera is an Imperial Mark XII Flash camera that’s been re-branded. These plastic-bodied cameras were the first to be manufactured in several colors, and various face plates were installed. They also made the Official Boy Scouts of America Camera and the Official Brownie Scouts of America Camera. I found this camera at a thrift store, in the original box, with the original flash unit, original flash bulbs, original batteries, and one roll of exposed 620 color film.

The Official Girls Scouts of America Camera

The camera features a green plastic body, a fixed focus (about 6 feet – infinity), one shutter speed (about 1/30 – 1/60 sec) and a single aperture (about f/11). Composition is done with an eye-level viewfinder, creating a 6×6 image on 620 film. In a film changing bag, I re-rolled some expired Kodak T-Max 100 120 black & white film onto a 620 spool to test the camera. I developed the film in New55 R5 Monobath. The images make me think the lens is not lined up with the film plane inside the camera because they are blurry on the left side, but in focus on the right. It might be worth investigating and trying another roll of film. If you have some thoughts, please make sure to leave me a comment.


Agfa Isolette I

Agfa’s production of the Isolette series spans several decades. Multiple models were made from pre-WWII 1936 up to 1958. The Isolette I is a simple German-made 120 folder that was sold from 1952 to 1960. The camera features an 85mm coated f/4.5 – 32 Agnar lens and a synchronized Vario leaf shutter. Focus is scale-focusing, measured on the lens from 3 feet to infinity.

Agfa Isolette

I purchased the Isolette I for $20 after listening to Episode 143 of the Film Photography Project Podcast. Host Mark O’Brien details many of the features. He also describes the common issues with sticky, or dried lubricant. When I received the Isolette, sure enough, the lens would not focus because the original lubricant had cemented the focus in place. Utah Film Photography friend, Maurice Greeson, put the camera on his workbench, cleaned, lubricated and freed the focus.

My experience with the Isolette was just so-so. I like having a 120 folder that has such a small footprint. However, I found that ultimately I wanted better control over the focus. My ideal 120 folder would have a rangefinder focus. The Isolette I doesn’t have a light meter. For some photographers that might be a deal breaker, but for me it wasn’t an issue. Now that I’ve said that, the majority of my shots were under or over-exposed. I don’t believe this was my fault or the cameras. I think it was the expired Kodak T-Max 100 I was using. I’m not sure how it was stored before it was donated. Will I shoot with the Isolette again? Sure, but with some fresh Kodak Tri-X or Illford HP5.


Expired, Retired, and Still Fired – Part 2

Camera: Yashica Electro 35 GS (1970 – 1973)
Film: Kodak Tri-X 400 (Expired 6/10) bought at Goodwill for $.99
Process: RepliColor, Salt Lake City, UT
Scanner: Epson Perfection V600 Photo

 

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Expired, Retired, Still Fired

A few months ago my friend Maurice gave me a Watson Model 100 Bulk Film Loader. The bulk loader still had 35mm film in it! Kodak Plus-X Pan (ASA 125) that expired in 1979. Not knowing how to load my own cartridges and shoot expired film, I turned to the interwebs for some guidance.

Watson Model 100 35mm Bulk Film Loader - Kodak Plus-X Pan (Expired 1979)

Learning to bulk load is a simple and straight forward process: use some art tape to attach the film to the 35mm spool, placing the spool inside the cartridge, close the bulk loader, open the film gate, then slowly crank and decide the number of exposures on the roll. Is the expired film still good? To test the film, I loaded a cartridges with 12 exposures into my Canon Canonet G-III QL17. My conclusion, the film is good! There’s no haze or fogging, but the film definitely needs light. The best images from my test exposures surprisingly came from shooting at box speed, ISO 125.

Would you like a roll to test for yourself? Leave a comment on this post and tell me what camera you’ll use. I’ll pick a random comment on December 1, 2015, and send you a roll.

The images below are some of my favorites from a trip to Wyoming with Scott Smith in September. Along with some others from Utah and a family trip to Wyoming, Montana and Idaho in October.

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