Lomography Berlin Kino 400

One of the coolest things about the online film community is the generosity of film photographers. Last year I emailed Natalie Smart, a Brighton UK film photographer after reading one of her blog posts. Seeing that she had just purchased a Hasselblad 500 C/M, I had several original Hasselblad brochures, and some other film items […]

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Rollei 35 (1966 – 1974)

I was contacted last May by someone looking to donate a camera. A reader named Sarah had acquired her grandfather’s Rollei 35 and wanted to make sure it would go to someone that would use it. After a few back-and-forth emails, Sarah sent the camera from North Dakota. I asked Sarah to tell me a […]

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Abandoned 280ZX

A few miles away from my house an abandoned Datsun 280ZX has been sitting in a private parking lot for several years. Each time I drove past it, I thought how I should stop and capture some images of the car as it slowly became surrounded by weeds and the exterior became more weathered with […]

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Yashica Mat-124 G CLA

I recently sent my Yashica Mat-124 G off to Mr. Mark Hama in Georgia (USA) for a CLA (clean, lubricate, adjust). Mark is known for working on the team that built the Mat-124 G at Yashica’s factory in Japan. For the past 30 years he’s been repairing cameras from his home. If you recall, he […]

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M3 & P30 Alpha

About a year after I purchased the M3, a good friend jokingly chastised me that I needed a proper Leica lens for a Lecia body. My half-joking response to him was, “What do you have for sale?” And that’s when I purchased 50mm Summarit f/1.5 lens from him. While it’s not known as the best […]

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Abandoned?

No, the Utah Film Photography website is not abandoned. During the final months of 2019, I had a few of what I would label “positive life changing events.” And then Covid-19, stay-at-home and social distancing guidelines occurred. That’s why the site has gone so long without regular updates. Plus, I’ve delayed writing this post because […]

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Yashica 44 LM (1958 – 1962)

Soon after I sent my Yashica 44 off to Mark Hama for repairs, I purchased this Yashica 44 LM. This camera was the last of Yashica’s 44 line of TLR’s that used 127 film. Manufactured from 1958 to 1962, the Yashica 44 LM is nearly identical to the 44 and 44A. The main difference being […]

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Yashica 44 (1958)

After purchasing the Camerhack FCK127 film cutter, one camera that kept calling to me was the Yashica 44. Small, grey, and admittedly cute. I spent a lot of time on eBay looking at 44’s, but most of them were beat up, dented, and missing parts. I found one that was in fair condition and made […]

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127 Film & The Kodak Baby Brownie

When 127 film was discontinued in 1995, photographers were left to create their own ways of cutting film to use in their favorite cameras. The easiest method is cutting 120 film down, and re-spooling it, with the backing paper, to a smaller 127 spool. There are a few different ways that this can be done. […]

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Long Exposure

It’s been a crazy summer for me. With some new job responsibilities, I worked some incredibly long hours at odd times of the day or night. On a Friday back in June, I had spent 12 hours working from home in front of my computer. I felt like I was going to go crazy if […]

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Recently Abandoned

This summer, I spent an afternoon at two recently abandoned places with my Nikon F2 and a roll of Kodak Ektar. On the occasion that I shoot color film, I like the saturated colors of Ektar and the way it renders red, orange and green. The house and pool in the images are a piece […]

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Kosmo Foto Mono 120

When Stephen Dowling at Kosmo Foto announced the new Kosmo Foto Mono 120, I rushed to preorder several rolls. Why? Kosmo Foto Mono has been one of my favorite films. You can read my original review here, and view more photos here. Kosmo Foto Mono is a fantastic ISO 100 black and white film. Just […]

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The 2nd Annual Negative Positives Film Photography Podcast Double-Exposure Challenge

This year I organized another double-exposure challenge for The Negative Positives Film Photography Podcast. Using some of the lessons learned from last year, I decided to simplify the challenge, and give photographers deadlines. The concept of the double-exposure challenge: one photographer shoots a roll of film, rewinds the film, and then sends it to someone […]

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