Category Archives: Black & White

Kosmo Foto

In 2017 Stephen Dowling, a Soviet camera aficionado, decided to release his own film called Kosmo Foto Mono. The 35mm film is a 100 ISO black and white stock that is a pre-existing emulsion from a European manufacturer. Since it’s release, there’s been a lot of buzz online about Kosmo Foto being a re-branded this-or-that, blah, blah, blah. Who cares! The majority of the online film community is very supportive and delighted to see a new film, and that’s what really matters.

After shooting my first roll, I consulted the development chart and found that Kodak D-76 was not listed. I remember Alex Luyckx talking about his experience with Kosmo Foto and developers on the Classic Camera Revival Podcast. A quick instant message to Alex on Facebook and he provided me with a developing time. Below are some of my favorite shots that show the impressive balanced contrast and grain. As a plus, this film lays perfectly flat for scanning. I’m looking forward to shooting and using more on this film stock.

Camera: Yashica Electro 35 GS (1970 – 1973)
Film: Kosmo Foto Mono – 100 ISO BW
Process: Kodak D-76 (1+1) 9:00 @ 20° C, Kodak Indicator Stop Bath 1:00, Kodak Fixer 5:00, Kodak Photo-Flo 2:00.
Scanner: Epson V600 Photo

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Konica Autoreflex TC

The Konica Autoreflex TC was manufactured and sold from 1976 to 1982. The body was lighter and smaller than previous Konica designs because the camera frame is metal, everything else is plastic. Looking at photos of the camera, you would never know that so much of this camera is plastic. It is however, very sturdy and well built. The Autoreflex features a metal focal plane shutter, shutter speeds of 1/8th – 1/1000th sec & bulb, an ISO range from 25 – 1600, split-image focusing on a microprism ring, and a CdS TTL light meter.

I found this camera in a local pawn shop for $10 and couldn’t pass it up. Why? Instead of the normal 50mm lens seen on most cameras of this age, it has a Hexanon AR 40mm f/1.8 pancake lens. This lens was typically sold with the Konica FS-1 and was eventually packaged with the TC. The lens is f/1.8 to 22 with auto exposure. With the light weight molded plastic body, and smaller lens design, the TC is a great camera for travel. The pancake lens has also achieved some recent popularity as an affordable sharp lens for Sony digital cameras with an adapter for photos and video.

I can see two problems in my images from this camera. One, this was one of my very first rolls in 2017 where I started to process all my own BW film in Kodak D-76. The negatives are spotty and have some residue on them. Second, the camera originally took two PX675 1.3v mercury batteries. I suspect using different batteries in the camera caused some meter discrepancies due to voltage differences.

Camera: Konica Autoreflex TC (1976 – 1982)
Film: FPP EDU 400
Process: Kodak D-76 (Stock) 7:30 @ 20c
Scanner: Epson Perfection V600 Photo


Europe 2017 on Film

This year will always remain memorable because my wife and I celebrated our 25th wedding anniversary by taking a 3-week trip to Europe. We went with a small group and visited Italy, Switzerland, and France. I took three cameras: Canon 6D, Pentax K1000, and Olypus OM-1MD. I spent most days taking digital shots, but used the two film cameras for early morning walks and evening adventures. Trying not to pack around too much gear each day, I’d swap one of the two film cameras in and out of my bag. Many people have asked us, “What was your favorite place to visit?” There’s no way possible to answer that question. From day-to-day we kept thinking, “Wow, today was fantastic! It can’t get any better than this.” Only to be surprised by the sights and experiences we’d have the very next day.


Ferrania P30 Alpha

Olympus OM-1N MD (1979) & Ferrania P30 Alpha

The resurrection of Italy’s Film Ferrania from 2014 is an ongoing process. While preparing for full scale production of their 100 ASA color reversal film products, they’ve released an 80 ISO panchromatic black & white motion picture film for still photography. P30 is based on Ferrania’s high silver content film from the 1960’s. The film was released as an Alpha product in limited quantities, giving Kickstarter backers the option to change their backing to P30 film, wait for the color film, or keep the color film and purchase P30 early at a discount.

I kept my original backing, purchased the max limit of 5 rolls, and decided to develop the film myself. While placing the film on a Patterson reel, the edges of the film at the sprockets cracked, twice. This is what I expect from old film, not new. And though Ferrania has published and updated a data sheet of best practices for developing this film, there still seems to be a bit of guesswork involved. I developed mine in Kodak D-76 with a dilution of 1:1 for 13 minutes at 20° C. After developing, I found that this film scratches very easy. And it’s almost impossible to determine which side of the film is the emulsion side, making scanning difficult. My resulting images are high contrast, like I’ve seen online from other photographers. Keeping that in mind, I knew what I was getting into with an alpha product. These are the best that came from my 36-exposure roll.

 

Massive Dev Chart App - P30 Developing Time

Camera: Olympus OM-1N MD (1979)
Film: Ferrania P30 Alpha
Process: Kodak D-76 (1+1) 13:00 @ 20 C
Scanner: Epson Perfection V600 Photo