This year will always remain memorable because my wife and I celebrated our 25th wedding anniversary by taking a 3-week trip to Europe. We went with a small group and visited Italy, Switzerland, and France. I took three cameras: Canon 6D, Pentax K1000, and Olypus OM-1MD. I spent most days taking digital shots, but used the two film cameras for early morning walks and evening adventures. Trying not to pack around too much gear each day, I’d swap one of the two film cameras in and out of my bag. Many people have asked us, “What was your favorite place to visit?” There’s no way possible to answer that question. From day-to-day we kept thinking, “Wow, today was fantastic! It can’t get any better than this.” Only to be surprised by the sights and experiences we’d have the very next day.
Category Archives: Black & White
The resurrection of Italy’s Film Ferrania from 2014 is an ongoing process. While preparing for full scale production of their 100 ASA color reversal film products, they’ve released an 80 ISO panchromatic black & white motion picture film for still photography. P30 is based on Ferrania’s high silver content film from the 1960’s. The film was released as an Alpha product in limited quantities, giving Kickstarter backers the option to change their backing to P30 film, wait for the color film, or keep the color film and purchase P30 early at a discount.
I kept my original backing, purchased the max limit of 5 rolls, and decided to develop the film myself. While placing the film on a Patterson reel, the edges of the film at the sprockets cracked, twice. This is what I expect from old film, not new. And though Ferrania has published and updated a data sheet of best practices for developing this film, there still seems to be a bit of guesswork involved. I developed mine in Kodak D-76 with a dilution of 1:1 for 13 minutes at 20° C. After developing, I found that this film scratches very easy. And it’s almost impossible to determine which side of the film is the emulsion side, making scanning difficult. My resulting images are high contrast, like I’ve seen online from other photographers. Keeping that in mind, I knew what I was getting into with an alpha product. These are the best that came from my 36-exposure roll.
Camera: Olympus OM-1N MD (1979)
Film: Ferrania P30 Alpha
Process: Kodak D-76 (1+1) 13:00 @ 20 C
Scanner: Epson Perfection V600 Photo